I’ve slowly let this blog turn to seed and die out, as the attention of the whole world turns to social media.
I’ve noticed website traffic declining ever since the cultural takeover of Instagram, Snapchat, etc. and along with that, my own website use has dwindled. I’ve posted far fewer updates to this site, and even less than that to this blog, since basically no one reads blogs anymore?
This was always a labor of love and not profit or mass audience cultivation, but as all the eyeballs move to Instagram, it has taken over as the defacto blog of choice, since the platform lends itself to quick, easy, effective content sharing, especially for visual creators like me.
As the task of staying relevant and worthy of someone’s attention becomes increasingly difficult, and the pace of changing internet trends gets increasingly difficult to keep up with (it would seem?), there just isn’t the time for this anymore, and that makes me very sad because I enjoy producing long format art-related content. I love explaining things, teaching things, revealing insights to the curious. I have 2 sold out books now only available as ebooks (here!) because of that love.
And just because websites and blogs are dying, doesn’t mean I’m creating any less; you can follow all of my work in all mediums on Instagram, of course. And I’ll always post new paintings on this website, in their respective gallery categories. as well as post major announcements to the front page.
For now, since I have no major projects or shows in the works with deadlines to observe, I am available for commissions.
Invocation Of Trust, oil on panel, 4.5 x 8 inches, 2013
Here’s a recent piece I completed for submission to an upcoming charity art exhibit at The Egan Gallery in Fullerton, California, curated by friend and fellow artist Cody Raiza who is a passionate animal welfare activist.
This tiny painting was inspired by events this summer at my house in Austin Texas involving the rescue of 2 baby raccoons from a rain catchment bin in my backyard by my partner and I. These two little fuzzballs, normally capable of being quite ferocious, were reduced to feeble, trembling snugglebugs by their traumatic night spent flailing and trying not to drown. They instantly grasped and climbed my extended arms seeking warmth and comfort, and stole our animal-loving hearts in the short time before we entrusted them to the care of an area wildlife rehabilitation center.
Of course, never one to miss any artistic photo-op, I snapped away with my iPhone camera and ended up with some gorgeous, heartwarming shots, which after the usual in-phone editing, made their way first to Instagram*, and then to the easel when I realized they were perfectly suited to the theme of this upcoming art show.
Edited reference photo from my Instagram account.
Here’s the evolution of this image, which just as the title declares, was intended as an invocation of trust in my life, to overcome barriers of fear and isolation, and to elicit sacred tender moments of unity between humans, other beings, all life.
Pencil transfer drawing and Grisaille, followed by color block-in and 2-3 layers of color adjustment and glazing.
(*This is the first time I’ve painted an image originally intended solely for my Instagram gallery…not sure how I feel about that. I routinely attempt to post content there which is reminiscent of my paintings, and certainly aligned closely with my overall artistic aesthetic, often self-critiquing them afterwards as if they were paintings…but I really despise the over-saturation and cultural-race-to-the-bottom of social media, despite my own degree of participation in it. I’m curious to see how the Ig creative outlet will affect my art in general. To be continued…)
Some photos from a recent adventure to the tallest peak in Europe:
Mont Blanc, France
(iPhone 4s, Photoshop Express, Instagram filter)