Nicholas Baxter

In Review 2: Forever Losing Sleep

Indie rock band Forever Losing Sleep recently released a new album titled I Lost Myself Again, which features one of my photographs as the album cover. I’m honored to have provided the visual accompaniment to these amazing sounds, and my ears confirm to me that my grainy nighttime tree image snapped while roaming the quiet streets of Evian, France this past April is indeed the match to the mood of this music.


(untitled), photo/digital, 2014

Active for the past few years, FLS hails from New Jersey with a slow and darkly melodic sound influenced by the melancholy Seattle grunge of the early 90′s as well as the most successful wave of emo bands who peaked a decade later. Throughout this collection of songs, moody ethereal passages complemented by soft crooning build up to crescendos of heavier crashing chords and tasteful throaty howls, with plenty of reverb and echo sprinkled throughout, finally giving way to the open space of sparse, ringing feedback.


Forever Losing Sleep’s debut LP

…Like staring up at the moonlit trees on a midnight walk through the hushed small town you know too well, too full of skeletons in dusty closets to be quite hushed enough for you to catch any sleep.

Complete your insomniac’s soundtrack at the Forever Losing Sleep bandcamp page, and be sure to name a price worthy of the cost, work, and time put into the independent recording and releasing of a fine debut album.

(P.s. see my first “In Review” blog post here)

On Modern Art

This cartoon, like all of the very best political cartoons, speaks volumes with so little.

Hilarious commentary on modern art and the “emperor’s new clothes” phenomenon of many who purport to enjoy it…the joke always seems to be on the viewer.


Thanks to Adbusters for bringing this to my retinas recently.

Time: Tattoo Art Today

For the past few months I’ve had a painting hanging in a groundbreaking exhibit at Somerset House in London, showcasing the fine art of contemporary tattooers and commemorating the newfound crossover and intermingling of the previously disparate tattoo and art worlds.


Having just returned from London where I viewed the exhibit, I can say that the museum and curators did an excellent job representing the tattoo world that I’m a part of alongside my fine art pursuits. The collection of works is impressive in scale and in its variety of mediums and styles, with a great quote by legendary American tattooer-turned-painter Don Ed Hardy on the wall as you walk in.




If you want to own the entire exhibition in printed form, luckily a gorgeous catalogue was published, featuring quotes by every artist as well as essays by the curators and aforementioned Hardy. Unluckily, though, there is no way that I can find (as of writing this blog post) where you can buy the book online. You can however buy it in person, in the museum bookshop.


My contribution to the exhibition, Heals All Wounds, 50 x 70 cm, oil on panel, 2014. Showing the evolution of a wound over time, with various features of the composition combining to form the shape of an hourglass.

More information on the show can be found here, and you can read a more informative review of the exhibit on this blog.

I haven’t been posting anything here lately in the midst of a bunch of life changes, but wanted to celebrate this amazing exhibition I had the honor of participating in, since it closes for good at the end of this week.


Heals All Wounds (detail)


Heals All Wounds (detail)


Heals All Wounds (detail)